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°è¼Ò¶ó°Ç±¹´ëÇб³¿Í ½Ã¾ÖƲ ¼ÒÀç University of Washington¿¡¼ °ÇÃàµðÀÚÀÎ(M.Arch) Àü°ø. ÀÌÈÄ Olson Sundberg Kundig Allen Architects¿Í °ø°£°ÇÃà¿¡¼ ½Ç¹«¿¡ Á¾»çÇÏ¿´°í, Carnegie Mellon University¿¡¼ Computational DesignÀ¸·Î ¹Ú»çÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ¿ª¼·Î ¡¸Çö½ÇÀÇ °ÇÃàÀ» À§ÇÏ¿©¡¹, ¡¸°ÇÃàÁ¦µµ¡¹, ¡¸µðÀÚÀ̳ʸ¦ À§ÇÑ Æúµù Å×Å©´Ð¡¹ µîÀÌ ÀÖ´Ù. ÇöÀç Texas A&M University °ÇÃà°ú ±³¼ö·Î ÀçÁ÷ÇÏ¸ç µðÀÚÀÎ ¹æ¹ý·Ð, µðÀÚÀÎ µµ±¸·Î¼ÀÇ ÇÁ·Î±×·¡¹Ö ¹× ·Îº¿À» ÀÌ¿ëÇÑ ±¸¼º ¹× Á¦ÀÛ¿¡ °üÇÑ ¿¬±¸¸¦ ¼öÇàÇÏ°í ÀÖ´Ù.¸ñÂ÷
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PART 1 THOUGHTS
1. ÀÏ»óÀÇ ÇüÅÂ(ORDINARY THINGS HAVE SURPRISINGLY INTERESTING FORMS)
- ÇüÅ´ ¾îµð¿¡³ª ÀÖ´Ù(Form is everywhere)
- °üÂû, ¹ß°ßÇÒ ¼ö ÀÖ´Â ÇüÅÂ(Observation)
- ÇüÅ´ ½ÃÁ¡¿¡ µû¶ó ´Þ¶óÁø´Ù(Same form, different point of view)
2. Ç¥ÇöÀ̶õ(OUR EXPRESSION BELONGS TO THE DOMAIN OF REPRESENTATION)
- º¸ÀÌ´Â °ÍÀÌ ÀüºÎ°¡ ¾Æ´Ï´Ù(Beyond the visible)
- ¸ð¹æÇÑ´Ù´Â °ÍÀº ¹«¾ùÀϱî(On copying)
- º¸¿©ÁÖ±â À§ÇÑ ¹æ¹ýµé(Some visualization systems)
3. Ãß»óÀº ¹æ¹ýÀÌ´Ù(ABSTRACTION IS A METHOD)
- ½Ã°¢À̹ÌÁö¿Í °³³äÀÇ ºÐ¸®(Image and Concept)
- Ç¥Çöµµ±¸·Î¼ÀÇ °³³äµé(Concept, tools for expression)
4. µðÀÚÀÎÀº ÀǽÄÀûÀÎ ÇàÀ§ÀÌ´Ù(DESIGN IS A CONSCIOUS ACTIVITY)
- ÄÚ³¢¸®ÀÇ ±×¸²Àº ¿¹¼úÀΰ¡(Can elephants draw)
- µðÀÚÀÎÀº ¹®Á¦¸¦ ¼³Á¤ÇÏ°í ÇØ°á¹ýÀ» ã´Â °úÁ¤À» À¯µ¿ÀûÀ¸·Î Àü°³ÇÏ´Â ´É·ÂÀÌ´Ù(Our ability to stay flexible)
- Ãʱ⠰³³äÀ̶õ ¸ñÇ¥¸¦ ¼³Á¤ÇÏ´Â °ÍÀÌ´Ù(Early concept : setting up a goal)
5. µðÀÚÀο¡ °üÇØ(CONSIDERING DESIGN)
- »ý°¢ÀÇ ¹æÇâ(Design Thinking)
- ¹®ÈÀû È®ÀåÀ» À§ÇÑ µðÀÚÀÎ ±³À°(Design Education, extended)
- ½ºÆ©µð¿À ¹®È(Culture in design studios)
- ù ¹ø° °³³ä ¸ðÇü(Your first concept model)
PART 2 EXERCISES
1. ±âº»»çÇ×(FOUNDATIONS)
- ÇÁ·ÎÁ§Æ® °³¿ä(Syllabus)
- ¸î °¡Áö ¿øÄ¢(Some Principles)
- ±âº»¿ä¼Ò(Basic Elements)
- ±× ¿ÜÀÇ ¿ä¼Òµé(More Components)
- Àç·á¿Í ÇüÅÂ(Form and Material)
- ±âº»ÀûÀÎ ´ÜÀ§Ã¼(Base Unit)
2. ¹æ¹ý°ú °úÁ¤(METHOD AND PROCESS)
- ¿ä¼Ò¿Í º¯ÀÌ(Variation and Replacement)
- ´ÜÀ§Ã¼ÀÇ º¯Çü(Modular Variations)
- ÇüÅÂÀÇ ±¸¼º(Composition)
- °³º° ¿ø¸®(Single Principles)
- ¹æ¹ýÀÇ º¯È(Alternating Methods)
- µðÀÚÀÎ Á¦½ºÃÄ(Combinations of Multiple Rules)
- ÇüÅ°¡ °¡Á®¿À´Â º¯È(Consequences of Form)
- °úÁ¤ÀÇ ±â·Ï(Some Notes on Process)
3. ¹°¸®ÀûÀÎ ÇüÅ·κÎÅÍ Ã¼ÇèÀ¸·ÎÀÇ È®Àå(FROM THE PHYSICAL TO THE EXPERIENTIAL)
- ¸Å°³Ã¼·Î¼ÀÇ ÇüÅÂ(Form as a Medium)
- °ø°£ üÇèÀ¸·ÎÀÇ È®Àå(Towards Spatial Experiences)
4. ±× ¿ÜÀÇ Áú¹®µé(MORE QUESTIONS)
- âÀÛÀÇ °¡Ä¡(Value of Creativity)
- Áö°¢°ú ÀνÄÀÇ ¸Å°³Ã¼(Interaction and Medium)